Monday, 14 December 2009

Running Scripts

ASDA RADIO


MICHAEL JACKSON- DON’T STOP TILL YOU GET ENOUGH

ALBUM TRACK (ASDA ADVERT 11:00 SECONDS)


ALBUM TRACK MICHAEL JACKSON- DON’T STOP TILL YOU GET ENOUGH

(5:43) RECORDING ADVERT NOW THAT WHAT I CALL MUSIC ALBUM (CROSSFADE)


ADVERT 5:44 (6:12)

ASDA IDENT (6:12)

(CROSSFADE) (6:40)

ALBUM TRACK / THE JAM- A TOWN CALLED MALICE (9:12)

ADVERT WII SUPER MARIO (9:41)

ALBUM TRACK / THE BEATLES- DRIVE MY CAR (11:25)

ASDA IDENT (11:52)

ALBUM TRACK / OASIS- WONDERWALL (14:58)


EQUIPMENT NEEDED: RECORDING SOFTWARE/MP3 PLAYER

KISS FM


KISS FM IDENT (31 SECS) PRESENTER MIC (41 SECS)

BACKING TRACK MIXTAPE PLAYS THROUGH EVERY SECTION OF SPEECH RELATED TEXT.

ALBUM TRACK / LADYHAWKE- PARIS IS BURNING (4:19) KISS IDENT (4:47)

PRESENTER SPEECH TILL (5:49) I’M A CELEBRITY SOUND CLIP PRESENTER SPEECH CONTINUES TILL (6:25)

ALBUM TRACK / CALVIN HARRIS- STARS COME OUT (10:42)

PRESENTER SPEECH TILL (11:45)

ADVERT SUPER MARIO WII (11:57) ECLIPSE FADEOUT

(12:21) NOW THAT WHAT I CALL MUSIC ADVERT (12:50)

KISS FM IDENT (13:21)

ALBUM TRACK / (PIXIE LOTT) 14:50


EQUIPMENT NEEDED: RECORDINGS/PRESENTER MICROPHONE/CDS/YOUTUBE SOUND CLIPS

BBC RADIO SUFFOLK


BACKING TRACK MIXTAPE PLAYS THROUGH EVERY SECTION OF SPEECH RELATED TEXT.


BBC RADIO SUFFOLK IDENT (4 SECS)

PRESENTER SPEECH (1:48)

ALBUM TRACK / MC FADDEN & WHITEHEAD- AIN’T NO STOPPIN’ US NOW (5:09) PRESENTER SPEECH (5:38)

ALBUM TRACK / STING & THE POLICE- ROXANNE (8:31) I’M A CELEBRITY

EVALUATION

ASDA RADIO EVALUATION


ASDA Radio is aimed to personify the needs of the public by introducing offers through the radio and playing music that suits their specialised target audiences, Through the sample I have merged advertisements with ASDA indents and trying to make it as easy running as possible, I put together the sample on Audacity due to issues with the Mac software I was using logic pro, so I transferred all the audio on to a YouTube converter and was able to accumulate them within the playlist, Their audience varies, but it is particularly aimed towards the average family. The radio is adjusted to it by placing themselves in the shoes of the consumer. Many people expect documentations on products and cut-down prices within the store. Stores are at war with each other through pricing competition and the radio is there to endorse the audience as much as possible and trying to consciously persuade them to buy impulsively. The stores rotate on the audience’s lifestyle and upcoming special occasions like Christmas; people are ravelled to a new panel of merchandising adverts to consume Christmas related incentives and yet informing people on facts on what’s hot in this season through following on heights in sale ranges, so I have try to place adverts that related to the season it is the winter months placing offers that seemed convenient as gift items etc. In-store radio circulates around customer satisfaction by entertainment. People turn to music for relaxation, in fact music is a pre requisite of setting the scene in many situations. Music has the ability of creating a positive ambiance helping customers feel more at home and to enjoy their shopping experience. I didn’t feel the need to talk in it but I’m aware that there are in-store radios that have doss, this is pre-recorded show not being broadcasted live, it’s a one track packed with adverts and music. I would say the running order is very smooth and the style is informative, in some way in-store radio is interactive with the mind of the consumer due to what store it may be, almost like a pocket sized tour guide instructing people to new product ranges and information while slowly encrypting people impulse reactions to buy. When I shop in any shop in particular, I like the aspect of playing music, its makes the environment more settled and enjoyable to consume and relaxes your nerves during those hard times like the tedious ways of late night shopping when it’s jam packed with un-nerving people awaiting to buy gifts for Christmas, it’s stressful but playing Frank Sinatra in the background eases down the urge in a festive manner. The style of in-store radios feeds information in digestible chunks and work from a 20/80 ratio towards the consumer, being 20 percent relating to store updates and latest offers and the 80 being music. The content gets straight to the point by not building up on tangible banter that isn’t related to their targeted audiences. They maintain awareness through short snappy messages without overstressing and the fact that the messages are played repetitive so you can remember it in the meanwhile. I had a few problems with getting audio tracks off the recorders on to the macs and trying to dub away the backing noise without tit sounding dingy or distorted, to overcome this, I placed music over the top or an advertisement so the backing noise isn’t noticeable.


Kiss Sample


Advertising on commercial radio is the loyalty of its listeners. They know the station’s personalities and they tune in for entertainment and information. Commercial Radio is particularly great for cities with a lot of traffic. This loyalty allows them to develop a relationship with these listeners. Over time, they can convince them to try their product or service, and increase the frequency of repeat or referral business. The best use of radio is frequency. Radio makes it affordable to reach this loyal listener over and over again in a short time span. Let’s face it, in this competitive advertising environment, and with hectic lives, they need to get their message across several times before anyone knows who they are and remembers their name. How often have you met someone, shook their hand, and forgot their name five minutes later? The show I produced was aimed towards the breakfast hours going through humorous banter about films and what was on the television last night etc. Morning radio is very down to earth, it’s a backing track while you get ready for work or school, there nothing serious mentioned, and it runs as a friendly conversation. When I was listening to one of kiss radio shows, they aimed to talk about subjects that are at a heightened period of popularity to the public without restraining them on serious topical issues, making this station appealing to a lot of people, they spoke behind a backing track, what made it more enjoyable as music is a powerful tool to become more occupying towards the audience. I made my sample on Adobe Audition while in the radio room and then began to layer on my tracks and adverts like the flesh to the skeleton till it was complete. The music on this particular station is youthful and is quite urban based compared to heart fm that broadens their genres to reach to older people as well, but kiss is quite a derivative towards myself, as a radio station they try to endorse people through their music by getting various celebs and djs to come in to play some tunes or a mix tape or two, it isn’t like heart fm that runs through local banter, kiss fm is built on the foundations of music. Commercial radio plays a mixture of music and advertisements targeted towards it audiences, commercial radio makes it money through playing a huge majority of advertisements as it’s a cheap way of promotion for many businesses and organisations to reach a selected or vast range of audiences.


However the BBC has a selection of different radio stations that all specialise in different targeted audiences, for example radio 1 is endorsed towards younger people, then radio 4 that is constructed around speech based news, current affairs and factual networks, with BBC Radio Suffolk it was aimed to just one specific audience of people and the station is pinpointed on the news happening within the Ipswich and the opinions of the community trying to be a public evolving station in other words, making shows that run on the opinions of the public, we were asked to make a weekend show and with my sample I included news that seemed appropriate to the location that it is being broadcasted in and the music is from the 70’s-80’decade, the way the show runs is in an easy manner, after listening to Mark on bbc radio Suffolk, I began to think of styles on the way to approach it, Mark’s shows are normally fed by praises, he tries to feature the audience as much as possible in the show, after listening to an hour, I had to stop for a drink after a tedious long listen to phone numbers, but the show showcases the public in doing good deeds or maybe stuff that makes them smile, there would be people texting on their memories or stuff they are looking forward to, this put the show on a personal level, and after a long weary listen, the show becomes a friend. The BBC accumulates it audiences in branches of different topics that relates to the listeners they are pointing to. Radio 1 is a music based radio station and the speech is aimed towards younger people varying to interviews with singers and a vast selection of updated music from different genres, the clever thing about BBC radio that there is something for everyone to enjoy instead of trying to host a meandering station that will suit everyone needs. The BBC separates it audiences to gain more dedicated listeners and that’s what I like about it, while listening to it for a while and asking some of my older relatives, they become enthused within the running order of the station, the show is a window to their lifestyles.



ICR RADIO


ICR Radio is a small community radio station and it runs from volunteers, the station itself is very broad in different radio shows varying from different genres in music to a comedy banter about politics, there are so many to pick from, but after listening to some shows on there, I was quite shocked on some of the standard of some broadcasts, I have created a show that is informative towards the public on events and stuff happening in Ipswich along with topics that rotate around them. I recorded on Audacity and had issues with the microphone picking up background noise and didn’t really find the microphones given as a good way to get your voice onto your computer without going into the studio and recording it live through their systems. I’ve placed a backing track to it as well and the show runs like a news reports, I had all these old bits and bobs and came across an interview what I had with Matt and Gareth and thought it would make a good feature to put across the show. The show advertises events happening within Ipswich, showcasing charity events and stuff happening at the weekend that might seem to interest towards the listener, if there was any words to describe it I would say it runs as a tourist information kiosk, I have remained the content to be locally related and this is when the word community comes into play. I have included topics that the community are fattening up about. Overall after a long meandering road to get stuff finished, I have enjoyed the project but if there was anything I could change is to record everything in the studio to make it better quality.


Monday, 7 December 2009

Radio Content

I studied the various radio stations a breakfast show on a commercial radio station, a show for ASDA radio, a speech based show on Ipswich Community Radio, a Weekend Show for BBC Radio Suffolk. I listened and recorded notes on their style, audiences and content.

Content

  • Weekend Show BBC Suffolk
  • Weather in look
  • Jingle
  • Mark Murphy Weekend Show
  • Suffolk number 1 priority- failing driving tests
  • Suffolk has talent competition
  • Junk mail (community discussion)
  • Plastic bags (Charity bags) community discussion
  • Phone in Line (listeners praise)
  • Opportunities for people to be on the Radio
  • Happy Days
  • Phone Number
  • Radio I-dents
  • Power ballads
  • 80’s Music-Nick Kershaw (Feature) Wolsey Theatre
  • Controversial tastes
  • Suffolk Praises (Stuff going on)
  • Driving Tests
  • Traffic Updates
  • Visual Mixes- stories
  • Motown
  • Comedian Feature
  • Phone Conversation

Audience

The content within the Mark Murphy Show related to Ipswich and discussed events happening during the weekend and going through the localised banter that Ipswich has to complain about. I would say in particular this show is selected towards 40+ it has a controversial range of music varying from the power ballads of the 80s to the eras of smooth grooving Motown. It was a combination of music and speech. The show tries to include the opinion of the listener much as possible, influencing them to call on praises happening within their lifestyles.

Style

The style of the show was very down to earth, the radio presenter informed the listeners to events happening in Ipswich. The show has been moulded to fit the needs of its target audience, the information given was irrelevant. The show itself has been stylised as a talk show discussing issues around the community involving junk mail and failing driving tests etc. The presenter infuses his audience by phone lines to share their opinions on what’s being discussed.

Content

  • (Speech Based Show) Ipswich Community Radio
  • Nick Kabay
  • A 30-minute documentary
  • Local group/organisation
  • Interview with group/organisation leader
  • Discussion
  • Where you can get involved
  • Previous achievements
  • Radio I-dents
  • Phone in
  • Community Involvement

Audience

Community Access programmes are 30 minute features designed to "showcase" local organisations & community groups. Nick Kabay’s audience varies depending on the local organisation or community group being broadcasted. It reaches a local audience of people.

Style

The radio show is in a very informative manner, the show is aimed to showcase new organisations that have evolved in Ipswich giving information that is relevant towards the listener. For example what is the aim of the organisation?

Content

  • ASDA RADIO
  • I-dents
  • Brand messages
  • Product Discounts
  • Music
  • In-store Interview

Audience

ASDA aims to fulfil the entertainment factor with their shoppers along with being informative on product offers and events happening around Ipswich.

Style

The show programme sends information to their audience in small digestible chunks; the station plays brand messages retentively to make them more memorable towards the consumer.

Interview

Interview- Benni Tiley on his opinions in Radio

What do you look for in a radio show?

Benni: For a good radio show, I look for a good banter which you can laugh about and also to be able to share your own opinions on what they’re talking about.

How often to you listen to radio within a week?

Benni: Well' I listen to a lot of radio, when I wake up I tune into the Chris Moyles show, and every Saturday morning I tune into the Adam and Joe show, so its pretty much everyday.

Who is your favourite radio presenter and why?

Benni: Well at the moment it has to be Adam and Joe' as they always have a lot to talk about on their show' and there is always a moment where you laugh out loud' which I found out on the bus journey home, I was listening to their podcast and it probably was the most embarrassing thing I’ve ever done, because it was really loud! I pretty much like every radio presenter who has a good humour and makes the show an enjoyable thing to listen to.

Do you find Radio more powerful than TV?

Benni: No I think the media has taken over radio' as you wont be able to present an episode of one of the biggest soaps i.e. Eastenders because no one would tune in to it' as there is nothing to visualise' people these days are lazy and don’t bother building up a picture up in their head an image of the vocals.

What are your feelings towards music being played on the radio; does it suit your needs?

Benni: Well as I’m an electronic geezer' and really hate commercial music' I don’t listen to much daytime radio where just music is played' as mostly its all charts and commercial stuff which isn’t my thing' which means I have to stay up late at night to listen to my music' which isn’t really suit my needs.. I think they should do earlier shows for people who like our type of music' and yes I know there is radio shows specialised in that genre' but they’re mostly in a different language which isn’t really good for someone who can’t talk French haha! So my conclusion is that the radio doesn’t suit my needs in the music area' and I would prefer to stick to my iTunes library and the good old 12' records.

In conclusion; commercial, internet and in-store radio all aim for an audience. In-store radio directs their market to the shopper playing information and updates on products comprised around their needs, when with internet radio has a world-wide audience and the listeners have the opportunity to find the type of programming that they prefer instead of listening to what is locally produced. Commercial radio is aimed for promoting advertisements for businesses and the audiences are normally quite locally influenced. BBC Radio separates audiences within each radio station and caters their needs to gain more loyal listeners.

Commercial/BBC

Advertising on commercial radio is the loyalty of its listeners. They know the station’s personalities and they tune in for entertainment and information. Commercial Radio is particularly great for cities with a lot of traffic. This loyalty allows them to develop a relationship with these listeners. Over time, they can convince them to try their product or service, and increase the frequency of repeat or referral business. The best use of radio is frequency. Radio makes it affordable to reach this loyal listener over and over again in a short time span. Let’s face it, in this competitive advertising environment, and with hectic lives, they need to get their message across several times before anyone knows who they are and remembers their name. How often have you met someone, shook their hand, and forgot their name five minutes later? But what if their product is visual? Radio has the most vivid pictures of any medium- it uses your prospects imagination. With a great ad, you can make their mouth water and their stomach’s grumble with uses of sound effects.

I’ve even heard radio ads that make the product sound better than they really are! A benefit of radio advertising is it can cost next to nothing to get a commercial produced. Most radio stations will produce a commercial for free as long as they buy air-time on their station, commercial radio plays a mixture of music and advertisements targeted towards it audiences, commercial radio makes it money through playing a huge majority of advertisements as it’s a cheap way of promotion for many businesses and organisations to reach a selected or vast range of audiences, However the BBC has a selection of different radio stations that all specialise in different targeted audiences, for example radio 1 is endorsed towards younger people, then radio 4 that is constructed around speech based news, current affairs and factual networks.

The BBC accumulates it audiences in branches of different topics that relates to the listeners they are pointing to. Radio 1 is a music based radio station and the speech is aimed towards younger people varying to interviews with singers and a vast selection of updated music from different genres, the clever thing about BBC radio that there is something for everyone to enjoy instead of trying to host a meandering station that will suit everyone needs. The BBC separates it audiences to gain more dedicated listeners.

The BBC today runs ten national domestic radio stations, five of which are only available in a digital format: via DAB (Digital Audio Broadcasting - i.e. Digital Radio), the Internet or the different forms of Digital Television in the UK. The five new stations are: 6Music (broadcasting rock, funk, punk and reggae), BBC 7

(comedy, drama, books, science fiction, fantasy and children's programmes), The Asian Network, 1Xtra and Five Live Sports Extra.

Each of the national BBC radio stations caters for a different audience. For example, BBC Radio 1 broadcasts contemporary popular music aimed at a young target audience, whereas BBC Radio Five Live broadcasts news and sport (including live coverage of sports fixtures).

The BBC also runs regional radio stations throughout the UK, for example BBC Radio Wales and BBC Radio Devon. These stations focus on regional issues to a greater extent than their national counterparts, organising live phone-in debates about these issues, as well as lighter talk shows with music from different decades of the 20th Century. Compared to many advertising-funded Independent Local Radio (ILR) stations, which often broadcast contemporary popular music, BBC Local Radio stations offer a more "serious" alternative.

Internet Radio

Internet

The concept of Internet radio has become increasingly more popular and has developed quite a listener base over the years. You are afforded to have the ability of listening to the station while at work, at home, or on the road, their broadcasts around the clock 24/7's, broadcasts can be heard worldwide and commercial-free listening including the vast variety of music and non-music based channels for audiences to select to listen to. Internet users are already listening to Internet-only channels or radio stations on the web. The media player has spaces for advertising banners, promotional messages, and web links, creating untapped revenue streams. Listeners from around the world can find the type of programming that they prefer, instead of settling for what’s available locally. Archived shows make it possible for listeners to play their favourite shows at their own convenience through podcasts.


All you need is.. Radio Ga Ga.

Radio

Radio formats and programming describes the overall content broadcast on a radio station. Radio formats are frequently employed as a marketing tool, and constantly evolve. There so many radio stations out there, that all formulate in different genres within due to the content. Radio is a beneficial way of cheap advertising for many organisations and businesses and their business revenue increases because of cross promotion in various departments within store.

In-Store Radio

The practicality of in-store radio grows through business advertisement. In-store radio makes the customer aware of products and services that they may not realize the business provides, the product offering line is constantly developing and being refreshed, so in- store radio is the ideal vehicle to provide customers with the information on today's product offerings or changes of services. A better-informed customer is more confident in the environment, more likely to be positive in purchases. The messages are tailored towards the customer not at them, endorsing them with information and increasing their awareness on promotional offers and events. In store merchandising is a well-developed sales tool. When in-store radio is used to highlight the merchandising offer and direct customers to the location in store, the offer promoted on radio claims to achieve up to ‘‘3 times the interest of a non in store radio supported merchandise offer,’’ due to statistics, In-store radio circulates around customer satisfaction by entertainment. People turn to music for relaxation; in fact music sets the scene in many situations. Music has the ability of creating a positive ambiance helping customers feel more at home and to enjoy their shopping experience. The radio has the ability to bring already established branding messages into the store and reinforces them with customers when they are in the store and purchasing is a powerful communication tool. Consistent quality is absolutely vital for in store or retail radio. All programming is pre-planned and mixed to professional standards to ensure consistently delivered sound levels, something not achievable with the simple playing of CDs. In all perceptions, In-store radio motivates the staff and it helps them to do a better job and makes their environment more professional and it fulfils the audience needs through giving out updates on the latest offers and other specialities.

Their audience varies, but it is particularly aimed towards the average family. The radio is adjusted to it by placing themselves in the shoes of the consumer. Many people expect documentations on products and cut-down prices within the store. Stores are at war with each other through pricing competition and the radio is there to endorse the audience as much as possible and trying to consciously persuade them to buy impulsively. The stores rotate on the audience’s lifestyle and upcoming special occasions like Christmas; people are ravelled to a new panel of merchandising adverts to consume Christmas related incentives and yet informing people on facts on what’s hot in this season through following on heights in sale ranges.

In some way in-store radio is interactive with the mind of the consumer due to what store it may be, almost like a pocket sized tour guide instructing people to new product ranges and information while slowly encrypting people impulse reactions to buy. When I shop in any shop in particular, I like the aspect of playing music, its makes the environment more settled and enjoyable to consume and relaxes your nerves during those hard times like the tedious ways of late night shopping when it’s jam packed with un-nerving people awaiting to buy gifts for Christmas, it’s stressful but playing Frank Sinatra in the background eases down the urge in a festive manner. The style of in-store radios feeds information in digestible chunks and work from a 20/80 ratio towards the consumer, being 20 percent relating to store updates and latest offers and the 80 being music. The content gets straight to the point by not building up on tangible banter that isn’t related to their targeted audiences. They maintain awareness through short snappy messages without overstressing and the fact that the messages are played repetitive so you can remember it in the meanwhile.